Credits
PERFORMING ARTISTS
Sarah Griffiths
Vocals
Sam Tsang
Synthesizer
COMPOSITION & LYRICS
Sarah Griffiths
Songwriter
PRODUCTION & ENGINEERING
Sarah Griffiths
Producer
Sam Tsang
Producer
Matt Colton
Mastering Engineer
Lee Smith
Mixing Engineer
Lyrics
[Verse 1]
Last night's mascara's such a pretty thing
It covers my eyes, I'm a beauty queen
Running down my face, listening to "Orinoco Flow"
Yeah, last night's mascara's such a wonderful thing
It's as dark as my heart, yet it's sparkling
And it stayed with me, sitting on the back of the last train home
[Chorus]
Mm, would you look at me now? Yeah
Wake up in the morning, oh, would you look at me now?
I'm rubbing it off like it's a memory of you
Oh, look at me now
Oh, would you look at me now? (Woo)
Wake up in the morning, oh, would you look at me now?
I'm rubbing it off like it's a memory of you
Oh, would you look at me now?
[Instrumental]
Yeah, last night's mascara's such a pretty thing
It covers my eyes, I'm a beauty queen
Running down my face, listening to "Orinoco Flow"
[PreChorus]
Oh, oh, and Sunday morning, got me looking crazy
I'm on my knees at the altar, baby
Asking God to wash you from my soul, oh, oh
[Chorus]
Oh, would you look at me now? (Oh Lord)
Wake up in the morning, oh, would you look at me now?
I'm rubbing it off like it's a memory of you
Oh, look at me now
Oh, would you look at me now?
Wake up in the morning, oh, would you look at me now? (Oh, would you look at me now?)
I'm rubbing it off like it's a memory of you
Oh, would you look at me now? (Look at me, look at me)
[Bridge]
Oh, oh, and Sunday morning, got me looking crazy
I'm on my knees at the altar, baby
Asking God to wash you from my soul, oh, oh
Oh, and Sunday morning, got me looking crazy
I'm on my knees at the altar, baby
Asking God to wash you from my soul, oh, oh
[Chorus]
Mm, would you look at me now?
Wake up in the morning, oh, would you look at me now?
I'm rubbing it off like it's a memory of you
Oh, look at me now
[Outro]
I'm rubbing it off like it's a memory of you
Look at me now
Written by: Sarah Griffiths