I leap to her defense and knock a hole right through the screen
Get carried away, carried away
Carried away, carried away
He gets carried, we get carried, just carried away
Brilliant, but, but what no one here knows is how he beat the soprano out of his poor baby sister performing all those operas when we were children, let that be fair warning to you and to everyone. Hello! I thought you might be here! You're so good at making the rounds. Have you met the gang? Betty and Adolph, they're just a riot
Hello
Ellen, of course you've run into her at another studio, no doubt
Hello, Felicia
Who did I miss? Have I missed anyone?
Just the piano player
I figured you needed no introduction
Hello, I'm Lenny
Hello, Felicia
Uh, Bernstein, like that one
Montealegre
Monte-Montealegre?
Montealegre-Cohen
Cohen? Montealegre-Cohen? Well, that's an interesting marriage of words
You've got that look, that look that leaves me weak
You with your eyes across the table technique
You've got that look, that look between the lines
You with your let's-get-more-than-friendly designs
I should be brave and say, "Let's have no more of it."
But oh, what's the use when you know I love it?
You'll only kill my will before I speak
So turn on that low left hook, that look that leaves me weak
All I do is whine with 'em
And spit out gum and whine with 'em
Respectable as can be
But here's what they say to me
You've got that look, that look that leaves me weak
You with your eyes across the table technique
You've got that look, that look between the lines
You with your let's-get-more-than-friendly designs
I should be brave and say, "Let's have no more of it."
But oh, what's the use when you know I love it?
You'll only kill my will before I speak
So turn on that low left hook, that look that leaves me weak
Written by: Adolph Green, Betty Comden, Frank Loesser, Frederick Hollander, Leonard Bernstein