Latin music can often feel like a boys’ club, yet Colombian superstar KAROL G built a massive movement that regularly outshines her male contemporaries. By the mid-2010s, her glow-up proved undeniable on collaborative tracks like the tropical-tinged perreo “Hello” with Ozuna and the trap duet “Ahora Me Llama” with Bad Bunny. Both tracks appeared on 2017’s Unstoppable, her proper album debut that heralded the arrival of a formidable star. Hits like “Mi Cama” and the explosive dancehall rework “China” made her ubiquitous in the reggaetón world, but the Nicki Minaj team-up “Tusa” pushed her to new stratospheric heights. No longer exclusively tethered to any one scene or sound, genre is no obstacle for the self-described bichota, a femme-positive term also adopted by KAROL’s massive fandom. Through albums like MAÑANA SERÁ BONITO as well as stand-alone singles and features, her artistic range now covers everything from maximalist pop and arena-ready EDM to emotionally intimate balladry, often with producer Ovy On the Drums close at hand. Whether raucously celebrating Colombian pride on “+57,” reveling in the tropical thump of “Si Antes Te Hubiera Conocido,” or reflecting on endurance through empowerment on “Milagros,” KAROL G continues to make history.