In hindsight, Destiny’s Child was only the beginning of our long love affair with Beyoncé Knowles. After the top-tier girl group pushed themes of female empowerment and sisterhood with hits like 1999’s “Say My Name” and 2001’s “Survivor,” Knowles quickly became a household name when the trio finished up. Her 2003 collab with future husband JAY-Z, “Crazy in Love,” was a pop smash of the highest order, going multi-platinum in multiple countries and announcing her as a solo star. From there she has been more or less unstoppable, gifting us with earworm R&B ballads (2006’s “Irreplaceable”), sassy clapbacks (2008’s “Single Ladies (Put a Ring on It)”), groovy 1970s flashbacks (2011’s “Love on Top”), and swaggering feminist anthems (2014’s “Flawless”) that continually reinforce not just her powerhouse vocals but also her uncanny versatility. Then came her 2016 concept album Lemonade, an era-defining work that tackled infidelity (“Hold Up”), civil rights (“Formation”), and political frustration (“Freedom”) while exploring the most adventurous music of her career. It features on Apple Music’s 100 Best Albums list and emboldened Knowles to devote herself to genres outside her usual comfort zone. She plunged into the history and culture of house music on 2022’s RENAISSANCE, saluting the genre’s queer and Black roots on “BREAK MY SOUL” and strutting disco forebears on “CUFF IT.” Even more surprisingly, she went full country on 2024’s COWBOY CARTER, topping charts around the world with lead single “TEXAS HOLD ’EM” and finally earning a long-overdue Grammy for Album of the Year. Knowles’ work positions her as a first-rate musician and cultural archivist who knows the responsibility of uplifting the past while sowing seeds for the future. It’s entertainment, yes, but also a kind of ambassadorship.