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Listen to The Cherokees, watch music videos, read bio, see tour dates & more!

The Cherokees

Traditional Pop

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Top Songs By The Cherokees

Listen to Lost Highway by The Cherokees, see lyrics, music video & more!
Lost HighwayThe Cherokees
Listen to My Girl Katharine by The Cherokees, see lyrics, music video & more!
My Girl KatharineThe Cherokees
Listen to Beautiful by The Cherokees, see lyrics, music video & more!
BeautifulThe Cherokees
Listen to Uprisin' by The Cherokees, see lyrics, music video & more!
Uprisin'The Cherokees
Listen to Stranger Than Strange by The Cherokees, see lyrics, music video & more!
Stranger Than StrangeThe Cherokees
Listen to Uprising by The Cherokees, see lyrics, music video & more!
UprisingThe Cherokees
Listen to The Angels Listened In by The Cherokees, see lyrics, music video & more!
The Angels Listened InThe Cherokees
Listen to Blues Train by The Cherokees, see lyrics, music video & more!
Blues TrainThe Cherokees
Listen to Evil Hearted Woman by The Cherokees, see lyrics, music video & more!
Evil Hearted WomanThe Cherokees
Listen to I Love Rockabilly by The Cherokees, see lyrics, music video & more!
I Love RockabillyThe Cherokees

Latest Release

Listen to Earworm by The Cherokees
ALBUMEarwormThe Cherokees

About The Cherokees

Listen to The Cherokees, watch music videos, read bio, see tour dates & more!
Hometown
Australia
Born
1961
Genre
Traditional Pop
Sons of Worcester, England, the Leeds-based John Kirby Wollard (vocals), David Bower (rhythm guitar), Terry Stokes (lead guitar), Mick Sweeney (bass) and Jim Green (drums) began gigging at the start of the 60s. Their moment of glory came in autumn 1964 when their revival of Lonnie Donegan’s trudging b-side ‘Seven Daffodils’ spent five weeks in the UK Top 40, almost outpacing a version by the better-known Mojos. This feat was mostly attributable to generous pirate radio plugging and the production skills of Mickie Most, fresh from a chart-topper with the Animals, an act also signed to EMI Records. The Cherokees’ future looked rosy but their follow-up, ‘A Wondrous Place’, flopped. Further impetus was lost by a name change (to New York Public Library aka NYPL) and procrastination about their next release, 1966’s ‘Land 0f 1, 000 Dances’. This Chris Kenner opus, which also featured new drummer Mick Ibbotson, proved to be an error of judgement as it battled in vain against more simultaneous covers than had ‘Seven Daffodils’. By 1967, Wollard and Ibbotson had left NYPL although various line-ups continued to work together in later decades.

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