ALBUMMesopotamia Symphony - Universe SymphonyFazil Say
ALBUMMagellan's Playlist, Vol. 1: On Tour in ChinaAthens Guitar Duo
ALBUMİlk ŞarkılarFazil Say & Serenad Bağcan
ALBUMAlevZOAR
ALBUMIstanbulFazil Say
ALBUMPicturesFazil Say
ALBUMThe Contemporary Voice of Turkish MusicAtilla Aldemir & Sevki Karayel
ALBUMContemporary Piano MusicSante Bruno
ALBUM1001 Nights In the HaremFazil Say & Patricia Kopatchinskaja
ALBUMKopatchinskaja - SayPatricia Kopatchinskaja & Fazil Say
ALBUMHandsDuo Blanc & Noir
ALBUMHaydn: Piano SonatasFazil Say
ALBUMBeethoven: Appassionata, (Waldstein, the Tempest)Fazil Say
ALBUMFazil Say Mozart (Piano Concertos N° 12, 21 & 23)Fazil Say
ALBUMBlack EarthFazil Say & Laurent Korcia
ALBUMMetin Altıok AğıtıFazil Say, Kültür Bakanlığı Devlet Çoksesli Korosu, Oda Orkestrası & İbrahim Yazıcı
ALBUMTchaikovsky & Piano Concerto No. 1 & Liszt: Piano SonataFazil Say, St Petersburg Philharmonic Orchestra & Yuri Temirkanov
ALBUMNazımFazil Say, Kültür Bakanlığı Devlet Çoksesli Korosu, TRT Ankara Radyosu Çoksesli Korosu, Kültür Bakanlığı Cumhurbaşkanlığı Senfoni Orkestrası & Naci Özgüç
A composer/pianist who's skilled in past masters and pushing classical music forward.
Fazil Say Live: Nazım Oratoryosu
Fazil Say's Basilique Saint Michel Archange Concert Set List
About Fazil Say
Hometown
Ankara, Turkey
Born
January 14, 1970
Genre
Classical
Just as Glenn Gould’s performances foreground Gould, so the Turkish composer and pianist Fazil Say puts an idiosyncratic stamp of authority on whatever music he plays. (Like Gould, he sometimes hums along during performances, too.) He is as at home in Mozart (hear his vibrant 2016 recording of the sonatas) as he is in Beethoven (note the fresh approach to tempi and dynamics in his 2020 recording of the sonatas). His sense of stylistic freedom was cultivated at an early age by his teacher, Turkish pianist and composer Mithat Fenmen, who encouraged him to improvise every day. Say studied composition with İlhan Baran (a student of French composer Henri Dutilleux), and later David Levine nurtured his subjective and eclectic approach to repertoire. Say’s repertoire is wide—comprising Bach and Chopin, Debussy and avant-garde music, chamber music and jazz—and his music draws on many influences. Listen to the shades of Bartók and Stravinsky in his three-part cycle, Gezi Park (2013-14), which reflects on the popular uprising in Istanbul's Gezi Park in the spring of 2013, for instance, or the evocative solo piano work Black Earth (1997), in which he applies the prepared piano techniques of John Cage to a piece inspired by a popular Turkish folk song.
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