ALBUMGalanterie. The Autumn of the Viola da GambaAndré Lislevand, Emil Duncumb & Jadran Duncumb
ALBUMGeminiSaxophon hoch zwei
ALBUMCarl Philipp Emanuel Bach Recomposed by Luca Astolfoni Fossi: 3 Sonate for flute solo Wq. 132, 133, 139 (Recomposed By Luca Astolfoni Fossi)Claudio Ferrarini
ALBUMBACH조성현 & Kyeong Ham
ALBUMMozart and his EuropeAnna Khomichko
ALBUMCarl Philipp Emanuel BachKeith Jarrett
ALBUMBachs, Benda & Brönnimann: Music for FluteMarkus Brönnimann, Jean Halsdorf, Léon Berben & Ensemble Pyramide
ALBUMCon nuestras mejores galas, Vol. 1 – Conciertos de A. Vivaldi, J. S. Bach y C. Ph. E. BachOrquesta Barroca De Sevilla
ALBUMFather and SonEinav Yarden
ALBUMC.P.E. Bach: FantasiasAapo Hakkinen
ALBUMC.P.E. Bach: Sonatas for Keyboard & ViolinRachel Podger & Kristian Bezuidenhout
ALBUMMore BachElbipolis Barockorchester Hamburg & Jürgen Groß
ALBUMVirtuosity and Grace - Sonatas for Viola da GambaGuido Balestracci, Paolo Corsi & Stéphanie Houillon
ALBUMFree the PianoDaria van den Bercken
ALBUMC.P.E. Bach - Piano Concertos & Other Works for Solo PianoOrazio Sciortino & Orchestra di Padova e del Veneto
ALBUMTelemann, C.P.E. Bach, Chelleri, Abel, J.C. Bach, Prowo: La Réjouissance galante (Trio Sonatas for Traverso and Viola da Gamba)Mariya Miliutsina, Amarilis Dueñas & Natalia Lentas
Carl Philipp Emanuel Bach, the second surviving son of Johann Sebastian Bach, spent his life in northern Germany, although his influence spread far further. Born in 1714, he straddles the twilight of the Baroque and the heyday of the Classical period. Intent on pursuing his own path, though, he created music that alternates passages of intense lyricism with wildly unpredictable and often eccentric effects. He spent three decades in the service of Frederick the Great—although the flute-playing king preferred the more conventional confections of Johann Joachim Quantz—and a further two as his godfather Georg Philipp Telemann’s successor as Kapellmeister in Hamburg. He composed a range of finely wrought choral music and vivacious symphonies before he died in 1788, but the emotional range of the empfindsamer Stil (sentimental style) he cultivated can best be heard in his highly individual piano works, which had a momentous impact upon subsequent generations of composers, informing the Sturm und Drang movement spearheaded by Haydn, the richly chromatic late music of Mozart, and even the virtuoso keyboard style of Beethoven.